{"id":74449,"date":"2025-10-09T13:29:50","date_gmt":"2025-10-09T12:29:50","guid":{"rendered":"https:\/\/lasentinelle.dz\/?p=74449"},"modified":"2025-10-11T13:30:40","modified_gmt":"2025-10-11T12:30:40","slug":"essakia-distingue-au-festival-du-film-mediterraneen-dalexandrie","status":"publish","type":"post","link":"https:\/\/lasentinelle.dz\/index.php\/2025\/10\/09\/essakia-distingue-au-festival-du-film-mediterraneen-dalexandrie\/","title":{"rendered":"\u00ab\u00a0Es’Sakia\u00a0\u00bb distingu\u00e9 au Festival du film m\u00e9diterran\u00e9en d’Alexandrie"},"content":{"rendered":"\n

Le film d\u2019’animation au service de la m\u00e9moire nationale<\/strong><\/p>\n\n\n\n

Le film d’animation alg\u00e9rien \u00ab\u00a0Es’Sakia\u00a0\u00bb du r\u00e9alisateur Naoufel Kalache a d\u00e9croch\u00e9 une mention sp\u00e9ciale lors de la 41e \u00e9dition du Festival du film m\u00e9diterran\u00e9en d’Alexandrie, qui s’est d\u00e9roul\u00e9e du 2 au 6 octobre en \u00c9gypte. Cette reconnaissance couronne un film de 72 minutes consacr\u00e9 aux bombardements de Sakiet Sidi Youcef, perp\u00e9tr\u00e9s en f\u00e9vrier 1958 par l’arm\u00e9e coloniale fran\u00e7aise contre des civils alg\u00e9riens et tunisiens r\u00e9fugi\u00e9s \u00e0 la fronti\u00e8re. Produit en 2024 par le minist\u00e8re des Moudjahidines et des Ayants droit avec la contribution du minist\u00e8re de la Culture et des Arts, \u00ab\u00a0Es’Sakia\u00a0\u00bb figurait en comp\u00e9tition dans la prestigieuse section du Prix Nour-Ech’Ch\u00e9rif 2025 du meilleur film arabe. Sa mention sp\u00e9ciale constitue une cons\u00e9cration pour le cin\u00e9ma d’animation alg\u00e9rien, rarement mis \u00e0 l’honneur dans les grands festivals m\u00e9diterran\u00e9ens. L’\u0153uvre de Naoufel Kalache s’inscrit dans une d\u00e9marche m\u00e9morielle ambitieuse, utilisant les ressources expressives de l’animation pour documenter l’un des \u00e9pisodes les plus tragiques de la guerre de lib\u00e9ration nationale. Le r\u00e9cit adopte le point de vue d’une famille alg\u00e9rienne de Souk Ahras, dans l’est du pays, contrainte \u00e0 l’exode pour \u00e9chapper aux violences coloniales. Leur p\u00e9riple les conduit dans un village du nord-ouest tunisien, \u00e0 proximit\u00e9 imm\u00e9diate de la fronti\u00e8re alg\u00e9ro-tunisienne. C’est l\u00e0, dans ce refuge pr\u00e9caire, que se d\u00e9roule le drame. Le 8 f\u00e9vrier 1958, l’aviation fran\u00e7aise pilonne m\u00e9thodiquement Sakiet Sidi Youcef, bombardant sans distinction une population civile compos\u00e9e d’Alg\u00e9riens et de Tunisiens. Cette op\u00e9ration meurtri\u00e8re constitue une riposte aux pertes importantes subies par l’arm\u00e9e coloniale lors de la bataille du Mont El-Wasta, survenue quelques semaines auparavant, le 11 janvier 1958. Les repr\u00e9sailles aveugles contre des civils d\u00e9sarm\u00e9s illustrent la brutalit\u00e9 d’une guerre coloniale qui ne reculait devant aucune exaction. En choisissant l’animation pour \u00e9voquer ces \u00e9v\u00e9nements historiques, Naoufel Kalache prend un parti esth\u00e9tique audacieux. Le m\u00e9dium permet une stylisation des images qui peut paradoxalement servir la puissance \u00e9motionnelle du r\u00e9cit, tout en \u00e9vitant l’\u00e9cueil du documentaire historique classique. L’animation offre \u00e9galement la possibilit\u00e9 de reconstruire visuellement des sc\u00e8nes dont les archives film\u00e9es sont inexistantes ou parcellaires, donnant ainsi une forme tangible \u00e0 une m\u00e9moire longtemps confisqu\u00e9e. Cette approche s’inscrit dans un mouvement plus large du cin\u00e9ma contemporain qui red\u00e9couvre les vertus narratives de l’animation pour traiter de sujets graves, de l’Histoire avec un grand H aux traumatismes collectifs. Le Festival du film m\u00e9diterran\u00e9en d’Alexandrie, qui a accueilli cette ann\u00e9e 46 pays participants et pr\u00e9sent\u00e9 131 films r\u00e9partis dans huit comp\u00e9titions, s’affirme comme une plateforme majeure pour les cin\u00e9matographies du bassin m\u00e9diterran\u00e9en. La distinction accord\u00e9e \u00e0 \u00ab\u00a0Es’Sakia\u00a0\u00bb t\u00e9moigne de l’int\u00e9r\u00eat persistant pour les \u0153uvres qui interrogent les h\u00e9ritages coloniaux et leurs s\u00e9quelles dans les soci\u00e9t\u00e9s contemporaines.<\/p>\n\n\n\n

M.S.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le film d\u2019’animation au service de la m\u00e9moire nationale Le film d’animation alg\u00e9rien \u00ab\u00a0Es’Sakia\u00a0\u00bb du r\u00e9alisateur Naoufel Kalache a d\u00e9croch\u00e9<\/p>\n","protected":false},"author":6,"featured_media":74450,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[36],"tags":[],"class_list":["post-74449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"yoast_head":"\n\u00ab\u00a0Es’Sakia\u00a0\u00bb distingu\u00e9 au Festival du film m\u00e9diterran\u00e9en d’Alexandrie - 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