{"id":77540,"date":"2025-12-10T12:35:41","date_gmt":"2025-12-10T11:35:41","guid":{"rendered":"https:\/\/lasentinelle.dz\/?p=77540"},"modified":"2025-12-10T12:35:42","modified_gmt":"2025-12-10T11:35:42","slug":"21-ans-apres-sa-disparition-mohia-lheritage-culturel-atemporel-dun-artiste-iconoclaste","status":"publish","type":"post","link":"https:\/\/lasentinelle.dz\/index.php\/2025\/12\/10\/21-ans-apres-sa-disparition-mohia-lheritage-culturel-atemporel-dun-artiste-iconoclaste\/","title":{"rendered":"21 ans apr\u00e8s sa disparition\u00a0: Mohia, l’h\u00e9ritage culturel atemporel d’un artiste iconoclaste"},"content":{"rendered":"\n

21 ans apr\u00e8s sa disparition, le po\u00e8te et dramaturge Abdallah Mohia (1950-2004) continue d’irriguer la sc\u00e8ne culturelle nationale par une \u0153uvre multiforme qui transcende les \u00e9poques. Math\u00e9maticien de formation devenu passeur de cultures, cet artiste atypique a r\u00e9volutionn\u00e9 l’approche de la cr\u00e9ation en amazigh en faisant du langage accessible et de la com\u00e9die ses armes principales pour toucher le plus grand nombre.<\/p>\n\n\n\n

\u00c0 l’occasion des festivit\u00e9s comm\u00e9moratives marquant le 21e<\/sup> anniversaire de la disparition d’Abdallah Mohia, survenue le 7 novembre 2004, le po\u00e8te et dramaturge Noureddine Ait Slimane livre \u00e0 l’APS un t\u00e9moignage \u00e9clairant sur l’h\u00e9ritage d’un homme qu’il consid\u00e8re comme fondamental dans le paysage culturel alg\u00e9rien. Son analyse dessine le portrait d’un cr\u00e9ateur hors norme dont l’influence continue de rayonner bien au-del\u00e0 de son \u00e9poque.<\/p>\n\n\n\n

Rencontr\u00e9 \u00e0 Tizi-Ouzou, Ait Slimane insiste d’embl\u00e9e sur la singularit\u00e9 de celui qu’il refuse de conjuguer au pass\u00e9. \u00ab\u00a0Il \u00e9tait un personnage atypique, porteur de singularit\u00e9s au pluriel parmi ses contemporains en touchant, d\u00e9j\u00e0, \u00e0 l’ensemble des arts, mais aussi en \u00e9tant clairement engag\u00e9 et coh\u00e9rent dans son travail, sa m\u00e9thodologie et son message\u00a0\u00bb, souligne-t-il. Cette coh\u00e9rence, pr\u00e9cis\u00e9ment, structure toute l’\u0153uvre de Mohia et explique sa r\u00e9sonance contemporaine. Pour le dramaturge, \u00ab\u00a0il est inappropri\u00e9 et m\u00eame attentatoire \u00e0 sa m\u00e9moire de parler de Mohia au pass\u00e9 tant son \u0153uvre transcende l’espace temporel et s’impose toujours comme d’actualit\u00e9 de nos jours\u00a0\u00bb. Une affirmation qui trouve son fondement dans la d\u00e9marche m\u00eame de l’artiste disparu.<\/p>\n\n\n\n

Math\u00e9maticien de formation, Abdallah Mohia entreprend tr\u00e8s t\u00f4t un projet culturel ambitieux : faire passer la culture amazighe de l’oralit\u00e9 \u00e0 l’\u00e9crit par le biais de la lecture. Ait Slimane explicite cette d\u00e9marche p\u00e9dagogique : \u00e0 travers son \u0153uvre enregistr\u00e9e, Mohia \u00ab\u00a0incitait \u00e0 la lecture et \u00e0 l’ouverture sur le patrimoine universel en citant toujours la source de ses adaptations\u00a0\u00bb. Cette rigueur intellectuelle, h\u00e9rit\u00e9e sans doute de sa formation scientifique, distingue Mohia de nombre de ses contemporains. Loin de s’approprier les \u0153uvres qu’il adapte, il en fait des ponts vers la culture universelle, transformant chaque cassette audio en invitation au voyage litt\u00e9raire. Le choix des supports et des genres t\u00e9moigne d’une strat\u00e9gie culturelle m\u00fbrement r\u00e9fl\u00e9chie. \u00ab\u00a0Mohia s’est donn\u00e9 les moyens ad\u00e9quats en choisissant ses outils comme son terrain. Le choix \u00e9tait immense. Th\u00e9\u00e2tre, po\u00e9sie, nouvelles, il a touch\u00e9 \u00e0 tout\u00a0\u00bb, rappelle Ait Slimane. Mais c’est surtout le choix de la cassette audio, m\u00e9dia populaire des ann\u00e9es 1980 et 1990, qui marque son projet. \u00ab\u00a0Il a opt\u00e9 pour le moyen qui \u00e9tait alors \u00e0 sa port\u00e9e et \u00e0 celle du public, identifi\u00e9, auquel il s’adressait, l’enregistrement de cassettes dont le contenu \u00e9tait porteur d’autant d’interpellations et de d\u00e9fis\u00a0\u00bb, explique le po\u00e8te dramaturge. Cette accessibilit\u00e9 du support se double d’une accessibilit\u00e9 du langage. Mohia refuse d\u00e9lib\u00e9r\u00e9ment les postures \u00e9litistes pour s’adresser \u00e0 la multitude dans un langage compr\u00e9hensible par tous. \u00ab\u00a0\u00c0 ce moyen accessible, par lequel il voulait toucher un plus grand nombre et l’inciter \u00e0 la lecture en citant toujours les grandes \u0153uvres qu’il adaptait, il a \u00e9galement choisi de s’adresser \u00e0 lui dans un langage tout aussi accessible pour la multitude en se d\u00e9tournant des postures \u00e9litistes\u00a0\u00bb, pr\u00e9cise Ait Slimane.<\/p>\n\n\n\n

La com\u00e9die constitue l’autre choix d\u00e9terminant de Mohia, un choix qui r\u00e9v\u00e8le sa modernit\u00e9. Selon Ait Slimane, l’artiste \u00ab\u00a0s’\u00e9tait dit que tout pouvait \u00eatre model\u00e9 dans la com\u00e9die\u00a0\u00bb. Par le rire, Mohia fait passer des messages profonds, aborde des sujets graves, questionne la soci\u00e9t\u00e9. Le registre comique devient ainsi un vecteur de conscience critique, une arme de lucidit\u00e9 collective. Cette approche explique en partie la p\u00e9rennit\u00e9 de son \u0153uvre : l’humour, universel et intemporel, continue de parler aux g\u00e9n\u00e9rations successives.<\/p>\n\n\n\n

La reconnaissance acad\u00e9mique de l’\u0153uvre de Mohia constitue aujourd’hui un indicateur de sa valeur patrimoniale. \u00ab\u00a0Les innombrables travaux acad\u00e9miques et universitaires sur l’\u0153uvre de Mohia sont autant d’\u00e9l\u00e9ments qui t\u00e9moignent et imposent celle-ci comme un patrimoine intemporel et d’actualit\u00e9\u00a0\u00bb, affirme Ait Slimane. Cette l\u00e9gitimation par l’institution universitaire contraste toutefois avec une certaine timidit\u00e9 des th\u00e9\u00e2tres professionnels \u00e0 l’\u00e9gard de son r\u00e9pertoire dramatique. Le po\u00e8te dramaturge lance d’ailleurs un appel pressant aux structures culturelles : il les exhorte \u00e0 \u00ab\u00a0accorder \u00e0 cette \u0153uvre, de port\u00e9e universelle, davantage d’int\u00e9r\u00eat et de lui donner l’importance qu’elle m\u00e9rite\u00a0\u00bb. N\u00e9 en 1950, Abdallah Mohia laisse derri\u00e8re lui une production prolifique qui embrasse tous les genres : po\u00e9sie, th\u00e9\u00e2tre, chansons, nouvelles et textes litt\u00e9raires divers. Cet \u00e9clectisme t\u00e9moigne d’une cr\u00e9ativit\u00e9 d\u00e9bordante mais aussi d’une vision globale de l’acte culturel. <\/p>\n\n\n\n

Mohand Seghir<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

21 ans apr\u00e8s sa disparition, le po\u00e8te et dramaturge Abdallah Mohia (1950-2004) continue d’irriguer la sc\u00e8ne culturelle nationale par une<\/p>\n","protected":false},"author":6,"featured_media":77541,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[36],"tags":[],"class_list":["post-77540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"aioseo_notices":[],"yoast_head":"\n21 ans apr\u00e8s sa disparition\u00a0: Mohia, l’h\u00e9ritage culturel atemporel d’un artiste iconoclaste - 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