{"id":78717,"date":"2025-12-30T12:04:37","date_gmt":"2025-12-30T11:04:37","guid":{"rendered":"https:\/\/lasentinelle.dz\/?p=78717"},"modified":"2025-12-30T12:04:38","modified_gmt":"2025-12-30T11:04:38","slug":"cloture-du-festival-dahellil-a-timimoun-un-patrimoine-ancestral-celebre","status":"publish","type":"post","link":"https:\/\/lasentinelle.dz\/index.php\/2025\/12\/30\/cloture-du-festival-dahellil-a-timimoun-un-patrimoine-ancestral-celebre\/","title":{"rendered":"Cl\u00f4ture du Festival d’Ahellil\u00a0\u00a0\u00e0 Timimoun\u00a0: Un patrimoine ancestral c\u00e9l\u00e9br\u00e9"},"content":{"rendered":"\n

La 17e \u00e9dition du Festival culturel national d’Ahellil s’est achev\u00e9e samedi soir \u00e0 Timimoun par la remise des prix aux troupes laur\u00e9ates, couronnant cinq jours de c\u00e9l\u00e9bration de ce chant ancestral inscrit au patrimoine culturel immat\u00e9riel de l’humanit\u00e9. L’\u00e9v\u00e9nement, organis\u00e9 du 23 au 27 d\u00e9cembre sous le patronage du minist\u00e8re de la Culture et des Arts, a mis en lumi\u00e8re la vitalit\u00e9 de cette expression artistique unique du Gourara, tout en ouvrant des perspectives de valorisation num\u00e9rique et internationale.<\/strong><\/p>\n\n\n\n

L'\u00a0\u00bbOasis-Rouge\u00a0\u00bb de Timimoun a vibr\u00e9 une derni\u00e8re fois samedi soir au rythme de l’Ahellil, ce chant polyphonique ancestral qui r\u00e9sonne depuis des si\u00e8cles dans les palmeraies du Gourara. La c\u00e9r\u00e9monie de cl\u00f4ture de la 17e \u00e9dition du Festival culturel national d’Ahellil, qui s’est tenue au th\u00e9\u00e2tre de plein air devant un public nombreux venu c\u00e9l\u00e9brer ce patrimoine vivant, a marqu\u00e9 l’aboutissement d’une semaine riche en \u00e9motions artistiques et en rencontres culturelles.  Prenant la parole lors de cette soir\u00e9e de cl\u00f4ture, le wali de Timimoun, Souna Benamar, a soulign\u00e9 la port\u00e9e de cette manifestation culturelle pour la r\u00e9gion et au-del\u00e0. Il a mis en avant \u00ab\u00a0l’importance de cette manifestation culturelle dans la pr\u00e9servation de l’Ahellil class\u00e9 sur la liste du patrimoine culturel immat\u00e9riel de l’humanit\u00e9, et dans le renforcement de l’identit\u00e9 culturelle de la r\u00e9gion\u00a0\u00bb. Le repr\u00e9sentant de l’\u00c9tat a \u00e9galement tenu \u00e0 saluer \u00ab\u00a0les efforts des organisateurs et de tous les acteurs ayant contribu\u00e9 au succ\u00e8s de cette \u00e9dition\u00a0\u00bb, reconnaissant ainsi la mobilisation collective qui sous-tend chaque ann\u00e9e l’organisation de ce rendez-vous incontournable.<\/p>\n\n\n\n

Le palmar\u00e8s d\u00e9voil\u00e9 par le jury a consacr\u00e9 l’excellence artistique de plusieurs formations locales. Le premier prix est revenu \u00e0 l’association de folklore populaire de la commune de Timimoun, r\u00e9compensant ainsi la qualit\u00e9 de son interpr\u00e9tation et sa fid\u00e9lit\u00e9 \u00e0 la tradition. L’association culturelle Taoumet, \u00e9galement bas\u00e9e \u00e0 Timimoun, s’est adjug\u00e9e la deuxi\u00e8me place, tandis que l’association culturelle Tigourarine de la commune d’Ouled-Sa\u00efd a compl\u00e9t\u00e9 le podium en d\u00e9crochant le troisi\u00e8me prix. Le festival a \u00e9galement mis \u00e0 l’honneur les ma\u00eetres des instruments traditionnels indissociables de l’Ahellil. Le concours d\u00e9di\u00e9 aux joueurs de Tamdja et de Bangueri, ces deux instruments \u00e0 percussion qui rythment les chants polyphoniques, a vu la victoire de Boudjemaa Agmassine, reconnu pour sa virtuosit\u00e9 et sa ma\u00eetrise de ces instruments embl\u00e9matiques. M’hamed Dahmi s’est class\u00e9 \u00e0 la deuxi\u00e8me place, confirmant lui aussi son talent et sa contribution \u00e0 la perp\u00e9tuation de cette pratique musicale ancestrale.<\/p>\n\n\n\n

Plac\u00e9e sous le slogan \u00e9vocateur \u00ab\u00a0Ahellil, le chant ancestral de Gourara : D\u00e9tente des \u00e2mes\u00a0\u00bb, cette 17e \u00e9dition rendait \u00e9galement hommage \u00e0 Mohamed Bakada, dit \u00ab\u00a0Babihi\u00a0\u00bb, figure embl\u00e9matique disparue de l’Ahellil, dont la m\u00e9moire continue d’inspirer les nouvelles g\u00e9n\u00e9rations d’artistes. Cet hommage posthume a donn\u00e9 une dimension particuli\u00e8rement \u00e9mouvante \u00e0 cette \u00e9dition, rappelant l’importance de la transmission entre g\u00e9n\u00e9rations dans la pr\u00e9servation de ce patrimoine.<\/p>\n\n\n\n

Au-del\u00e0 des comp\u00e9titions artistiques, le festival a offert une programmation diversifi\u00e9e qui a enchant\u00e9 les visiteurs durant cinq jours. Les soir\u00e9es musicales anim\u00e9es par les troupes en lice ont altern\u00e9 avec des spectacles folkloriques, cr\u00e9ant une atmosph\u00e8re festive et authentique. Une exposition de produits d’artisanat traditionnel a par ailleurs permis aux artisans locaux de pr\u00e9senter et de commercialiser leurs cr\u00e9ations, profitant du flux touristique important qui caract\u00e9rise cette p\u00e9riode de l’ann\u00e9e \u00e0 Timimoun. <\/p>\n\n\n\n

Cette \u00e9dition a \u00e9galement \u00e9t\u00e9 l’occasion de r\u00e9flexions prospectives sur l’avenir de l’Ahellil. Plusieurs participants \u00e0 cet \u00e9v\u00e9nement culturel majeur ont profit\u00e9 de cette tribune pour formuler des propositions concr\u00e8tes visant \u00e0 renforcer la visibilit\u00e9 et la transmission de ce patrimoine. Ils ont notamment appel\u00e9 \u00e0 la cr\u00e9ation d’une plateforme num\u00e9rique interactive et multilingue destin\u00e9e \u00e0 documenter les paroles d’Ahellil, conscients que la sauvegarde de ce patrimoine oral passe aussi par sa num\u00e9risation et sa diffusion via les technologies contemporaines. Cette initiative permettrait de rendre accessible au plus grand nombre, y compris aux jeunes g\u00e9n\u00e9rations et aux chercheurs internationaux, la richesse po\u00e9tique et musicale de l’Ahellil. Les participants ont en outre plaid\u00e9 pour un renforcement du r\u00f4le de ce patrimoine dans la promotion de la culture nationale sur la sc\u00e8ne internationale. Ils ont \u00e9galement \u00e9voqu\u00e9 la n\u00e9cessit\u00e9 de d\u00e9velopper des jumelages culturels avec d’autres r\u00e9gions du monde poss\u00e9dant des traditions musicales comparables, estimant que ces \u00e9changes enrichiraient mutuellement les pratiques artistiques et contribueraient \u00e0 faire rayonner l’Ahellil bien au-del\u00e0 des fronti\u00e8res du Gourara.<\/p>\n\n\n\n

Reconnu par l’UNESCO comme patrimoine culturel immat\u00e9riel de l’humanit\u00e9, l’Ahellil repr\u00e9sente bien plus qu’une simple expression musicale. Ce chant polyphonique traditionnel, exclusivement masculin, accompagne les moments importants de la vie sociale et rituelle dans les oasis du Gourara. Par sa structure vocale complexe et ses rythmes hypnotiques, il incarne une forme d’art unique qui a travers\u00e9 les si\u00e8cles, r\u00e9sistant aux mutations sociales et culturelles. <\/p>\n\n\n\n

Mohand Seghir<\/p>\n","protected":false},"excerpt":{"rendered":"

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