{"id":80048,"date":"2026-01-26T12:46:53","date_gmt":"2026-01-26T11:46:53","guid":{"rendered":"https:\/\/lasentinelle.dz\/?p=80048"},"modified":"2026-01-26T12:46:53","modified_gmt":"2026-01-26T11:46:53","slug":"exposition-collective-de-sous-les-decombres-ghaza-en-couleurs-au-mamo-lart-comme-vecteur-de-resistance","status":"publish","type":"post","link":"https:\/\/lasentinelle.dz\/index.php\/2026\/01\/26\/exposition-collective-de-sous-les-decombres-ghaza-en-couleurs-au-mamo-lart-comme-vecteur-de-resistance\/","title":{"rendered":"Exposition collective \u00ab\u00a0De sous les d\u00e9combres, Ghaza en couleurs\u00a0\u00bb au MaMo\u00a0: L\u2019art comme vecteur de r\u00e9sistance"},"content":{"rendered":"\n

Le Mus\u00e9e national public d\u2019art moderne et contemporain d\u2019Oran (MaMo) a accueilli, samedi, l\u2019ouverture de la deuxi\u00e8me \u00e9dition de l\u2019exposition artistique collective De sous les d\u00e9combres, Ghaza en couleurs<\/em>, une manifestation culturelle engag\u00e9e qui place l\u2019art au c\u0153ur du t\u00e9moignage et de la m\u00e9moire. \u00c0 travers plus de 80 \u0153uvres plastiques, cette exposition solidaire donne \u00e0 voir la souffrance du peuple palestinien tout en affirmant sa r\u00e9silience, son attachement \u00e0 la vie et son aspiration \u00e0 la libert\u00e9, dans un contexte marqu\u00e9 par la persistance des violences et des destructions sionistes dans la bande de Ghaza. L\u2019\u00e9v\u00e9nement s\u2019est d\u00e9roul\u00e9 en pr\u00e9sence du secr\u00e9taire g\u00e9n\u00e9ral de la wilaya d\u2019Oran, Fodil La\u00efdani, de la directrice de la Culture et des Arts, Bouchera Salhi, ainsi que d\u2019un large public compos\u00e9 d\u2019artistes, d\u2019intellectuels et d\u2019amateurs d\u2019art. Commissaire de la manifestation, l\u2019artiste plasticien et c\u00e9ramiste Samir Kabli a indiqu\u00e9 que l\u2019exposition \u00ab regroupe plus de 80 \u0153uvres r\u00e9alis\u00e9es par pr\u00e8s de 30 artistes issus de diff\u00e9rentes wilayas \u00bb, soulignant la dimension nationale et collective de cette initiative artistique. D\u00e9clin\u00e9es en plusieurs th\u00e9matiques, les \u0153uvres expos\u00e9es, r\u00e9alis\u00e9es principalement \u00e0 l\u2019huile et \u00e0 l\u2019acrylique sur toile, abordent frontalement les formes les plus cruelles de l\u2019oppression et les crimes perp\u00e9tr\u00e9s \u00e0 l\u2019encontre du peuple palestinien, notamment \u00e0 Ghaza. Elles traduisent \u00e9galement la solidarit\u00e9 profonde des artistes alg\u00e9riens avec la cause palestinienne, exprim\u00e9e par une palette de couleurs contrast\u00e9es, des compositions fortes et une symbolique marqu\u00e9e par la douleur, mais aussi par l\u2019espoir. Selon plusieurs participants, ces cr\u00e9ations constituent \u00ab un t\u00e9moignage visuel vivant de la trag\u00e9die humaine v\u00e9cue par les Palestiniens \u00bb et \u00ab un cri artistique contre l\u2019occupation, l\u2019injustice et l\u2019oubli \u00bb. Les artistes expliquent avoir voulu documenter, par le langage de l\u2019art, la souffrance d\u2019un peuple \u00ab qui g\u00e9mit sous la machine de guerre \u00bb, tout en refusant la banalisation de la violence et l\u2019effacement de la m\u00e9moire collective. Pour Samir Kabli, initiateur du projet, cette exposition s\u2019inscrit dans une d\u00e9marche itin\u00e9rante visant \u00e0 \u00e9largir l\u2019impact du message : \u00ab Il s\u2019agit d\u2019une caravane artistique qui parcourra sept wilayas afin de porter cette voix solidaire au plus pr\u00e8s du public \u00bb, pr\u00e9cisant que l\u2019exposition a d\u00e9j\u00e0 \u00e9t\u00e9 accueillie \u00e0 Alger en juin dernier, avant Oran, et se rendra ensuite \u00e0 Constantine, B\u00e9char, Gharda\u00efa, Biskra, puis \u00e0 Illizi (Djanet) ou Tamanrasset. En marge de l\u2019exposition, une conf\u00e9rence intitul\u00e9e Le r\u00f4le de l\u2019art dans la documentation de l\u2019histoire<\/em>, anim\u00e9e par la professeure Djidjiga Brahimi, a mis en lumi\u00e8re la capacit\u00e9 de la cr\u00e9ation artistique \u00e0 conserver la m\u00e9moire des peuples et \u00e0 transmettre les r\u00e9cits que l\u2019histoire officielle tait parfois. Un atelier cr\u00e9atif destin\u00e9 aux enfants a \u00e9galement \u00e9t\u00e9 organis\u00e9, permettant aux plus jeunes d\u2019exprimer leur sensibilit\u00e9 \u00e0 travers le dessin et la peinture, avant l\u2019exposition de leurs travaux dans la salle du mus\u00e9e, couronn\u00e9e par des distinctions symboliques. Pr\u00e9vue jusqu\u2019\u00e0 mercredi prochain, l\u2019exposition De sous les d\u00e9combres, Ghaza en couleurs<\/em> s\u2019affirme ainsi comme un espace de r\u00e9sistance culturelle, o\u00f9 l\u2019art devient \u00e0 la fois acte de m\u00e9moire, de solidarit\u00e9 et d\u2019engagement, rappelant que la cr\u00e9ation demeure l\u2019un des langages les plus puissants pour dire l\u2019indicible et d\u00e9fendre la dignit\u00e9 humaine.<\/p>\n\n\n\n

M.S.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le Mus\u00e9e national public d\u2019art moderne et contemporain d\u2019Oran (MaMo) a accueilli, samedi, l\u2019ouverture de la deuxi\u00e8me \u00e9dition de l\u2019exposition<\/p>\n","protected":false},"author":6,"featured_media":80049,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[36],"tags":[],"class_list":["post-80048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"aioseo_notices":[],"yoast_head":"\nExposition collective \u00ab\u00a0De sous les d\u00e9combres, Ghaza en couleurs\u00a0\u00bb au MaMo\u00a0: L\u2019art comme vecteur de r\u00e9sistance - La Sentinelle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lasentinelle.dz\/index.php\/2026\/01\/26\/exposition-collective-de-sous-les-decombres-ghaza-en-couleurs-au-mamo-lart-comme-vecteur-de-resistance\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exposition collective \u00ab\u00a0De sous les d\u00e9combres, Ghaza en couleurs\u00a0\u00bb au MaMo\u00a0: L\u2019art comme vecteur de r\u00e9sistance - La Sentinelle\" \/>\n<meta property=\"og:description\" content=\"Le Mus\u00e9e national public d\u2019art moderne et contemporain d\u2019Oran (MaMo) a accueilli, samedi, l\u2019ouverture de la deuxi\u00e8me \u00e9dition de 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