{"id":84960,"date":"2026-04-05T21:14:14","date_gmt":"2026-04-05T20:14:14","guid":{"rendered":"https:\/\/lasentinelle.dz\/?p=84960"},"modified":"2026-04-05T21:14:15","modified_gmt":"2026-04-05T20:14:15","slug":"avant-premiere-du-film-hadda-a-la-salle-ibn-zeydoun-quand-le-cinema-sort-de-lombre-les-infirmieres-de-la-guerre-de-liberation","status":"publish","type":"post","link":"https:\/\/lasentinelle.dz\/index.php\/2026\/04\/05\/avant-premiere-du-film-hadda-a-la-salle-ibn-zeydoun-quand-le-cinema-sort-de-lombre-les-infirmieres-de-la-guerre-de-liberation\/","title":{"rendered":"Avant-premi\u00e8re du film \u00ab Hadda \u00bb \u00e0 la salle Ibn Zeydoun\u00a0: Quand le cin\u00e9ma sort de l’ombre les infirmi\u00e8res de la guerre de lib\u00e9ration"},"content":{"rendered":"\n

Dans la prestigieuse salle Ibn Zeydoun, l\u2019avant-premi\u00e8re du long m\u00e9trage \u00ab Hadda \u00bb du r\u00e9alisateur Ahmed Riad a \u00e9t\u00e9 accueilli par un public nombreux et attentif, \u00e9mu par un film qui redonne voix et visage \u00e0 des h\u00e9ro\u00efnes longtemps tenues dans l’oubli : les infirmi\u00e8res du maquis. Le cin\u00e9ma alg\u00e9rien s’empare rarement de ces figures f\u00e9minines discr\u00e8tes qui, entre 1954 et 1962, soign\u00e8rent les combattants dans les for\u00eats et les montagnes, loin des regards et des honneurs. C’est pr\u00e9cis\u00e9ment ce vide m\u00e9moriel qu’entend combler Ahmed Riad avec ce premier long m\u00e9trage de fiction, produit par Tayda Films avec le soutien du minist\u00e8re de la Culture et des Arts. Tourn\u00e9 principalement \u00e0 Constantine et \u00e0 Skikda, le film suit Hadda \u2014 interpr\u00e9t\u00e9e par Lydia Larini \u2014, une jeune femme qui a transform\u00e9 une cabane abandonn\u00e9e en refuge clandestin pour y soigner les moudjahidines bless\u00e9s, dispenser des cours de secourisme aux femmes des villages et assurer la liaison entre les populations et les fronts de combat. Doublement engag\u00e9es pour la cause nationale et le devoir humanitaire, ces infirmi\u00e8res exer\u00e7aient dans une discr\u00e9tion absolue, condition sine qua non de leur survie et de l’efficacit\u00e9 de leur mission. Le sc\u00e9nario, sign\u00e9 Hayat Younsi, s’inspire d’un r\u00e9cit-t\u00e9moignage publi\u00e9 en 1956, Six ans au maquis<\/em>, \u00e9crit par Yamina Cherrad Bennaceur, survivante de la premi\u00e8re promotion d’infirmi\u00e8res \u00e0 avoir rejoint le maquis. La pr\u00e9sence de cette moudjahida de 90 ans dans la salle, samedi soir, a conf\u00e9r\u00e9 \u00e0 la soir\u00e9e une dimension particuli\u00e8rement charg\u00e9e d’\u00e9motion. \u00c0 l’issue de la projection, la cheffe de cabinet du minist\u00e8re de la Culture, Ayaichia Nacira, repr\u00e9sentant la ministre, lui a rendu un hommage appuy\u00e9, saluant en elle la source vive d’une \u0153uvre qui n’aurait pu exister sans son t\u00e9moignage.<\/p>\n\n\n\n

Le film de 76 minutes b\u00e9n\u00e9ficie d’une distribution solide, avec Hamid Mesbah, Louisa Nehar et Hamza Hamoudi dans des r\u00f4les secondaires aux c\u00f4t\u00e9s de Lydia Larini. Ahmed Riad revendique pour son \u0153uvre une \u00ab approche artistique divertissante \u00bb, soulignant qu’elle \u00ab relate par le cin\u00e9ma des faits marquants de l’histoire de l’Alg\u00e9rie \u00e0 travers une fiction historique, brillamment servie par des acteurs talentueux \u00bb. Le r\u00e9alisateur assume ainsi pleinement le parti pris d’un cin\u00e9ma populaire et accessible, qui ne sacrifie pas la rigueur historique \u00e0 la dramaturgie, mais les conjugue. La reconnaissance institutionnelle ne s’est pas fait attendre : \u00ab Hadda \u00bb a \u00e9t\u00e9 prim\u00e9 au 12e Festival international du film d’Alger, qui s’est tenu du 4 au 10 d\u00e9cembre 2025, avant de s\u00e9duire le public de cette avant-premi\u00e8re nationale. Le film sortira en salles \u00e0 travers l’Alg\u00e9rie \u00e0 partir du 10 avril prochain, selon les indications du r\u00e9alisateur lui-m\u00eame. \u00c0 l’heure o\u00f9 la m\u00e9moire de la guerre de lib\u00e9ration continue de nourrir le cin\u00e9ma national, \u00ab Hadda \u00bb se distingue par le choix de son angle : non pas les champs de bataille ni les figures masculines consacr\u00e9es, mais l’endurance silencieuse de femmes qui firent de la compassion une forme de r\u00e9sistance.<\/p>\n\n\n\n

M.S.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans la prestigieuse salle Ibn Zeydoun, l\u2019avant-premi\u00e8re du long m\u00e9trage \u00ab Hadda \u00bb du r\u00e9alisateur Ahmed Riad a \u00e9t\u00e9 accueilli<\/p>\n","protected":false},"author":6,"featured_media":84962,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[36],"tags":[],"class_list":["post-84960","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"yoast_head":"\nAvant-premi\u00e8re 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