{"id":86450,"date":"2026-04-27T13:47:44","date_gmt":"2026-04-27T12:47:44","guid":{"rendered":"https:\/\/lasentinelle.dz\/?p=86450"},"modified":"2026-04-27T13:47:46","modified_gmt":"2026-04-27T12:47:46","slug":"festival-du-film-mediterraneen-dannaba-la-legende-de-gijon-ressuscitee","status":"publish","type":"post","link":"https:\/\/lasentinelle.dz\/index.php\/2026\/04\/27\/festival-du-film-mediterraneen-dannaba-la-legende-de-gijon-ressuscitee\/","title":{"rendered":"Festival du film m\u00e9diterran\u00e9en d\u2019Annaba\u00a0: La l\u00e9gende de Gij\u00f3n ressuscit\u00e9e"},"content":{"rendered":"\n

Ils \u00e9taient l\u00e0, samedi soir, au th\u00e9\u00e2tre r\u00e9gional Azzedine-Medjoubi d’Annaba. Rabah Madjer et Lakhdar Belloumi, deux des artisans de l’une des pages les plus glorieuses du football alg\u00e9rien, assis dans la salle pour regarder leur propre histoire. Sur l’\u00e9cran, le documentaire Gij\u00f3n 1982<\/em> faisait revivre le 16 juin 1982 : le jour o\u00f9 l’Alg\u00e9rie avait battu l’Allemagne de l’Ouest 2 \u00e0 1 au stade El Molin\u00f3n, secouant une Coupe du monde qui n’avait pas pr\u00e9vu une telle intrusion. La projection, organis\u00e9e dans le cadre du 6e Festival du film m\u00e9diterran\u00e9en d’Annaba, a r\u00e9uni un public nombreux autour d’un film qui ne se contente pas de comm\u00e9morer \u2014 il documente, avec des t\u00e9moignages in\u00e9dits, une \u00e9pop\u00e9e que le temps n’a pas effac\u00e9e. Produit en collaboration avec la cha\u00eene qatarie Al Jazeera, le documentaire est l’\u0153uvre d’une enqu\u00eate men\u00e9e dans trois pays. Ses auteurs sont all\u00e9s chercher les protagonistes de l’\u00e9poque de part et d’autre de la M\u00e9diterran\u00e9e : les joueurs alg\u00e9riens bien s\u00fbr, mais aussi des acteurs allemands de ce tournoi, parmi lesquels le gardien Harald Schumacher et l’attaquant Pierre Littbarski. Ces derniers ont accept\u00e9 d’\u00e9voquer la d\u00e9faite de leur \u00e9quipe face aux Verts, et de revenir sur les coulisses du \u00ab match de la honte \u00bb \u2014 ce RFA-Autriche du 25 juin 1982, arrangement tacite entre deux \u00e9quipes qui se sont content\u00e9es d’un r\u00e9sultat (1-0) suffisant pour les qualifier toutes les deux aux d\u00e9pens de l’Alg\u00e9rie, pourtant invaincue dans son groupe apr\u00e8s sa victoire sur les Allemands.<\/p>\n\n\n\n

Madjer, qui fut l’un des buteurs ce jour-l\u00e0 \u00e0 Gij\u00f3n, n’a pas cach\u00e9 son \u00e9motion \u00e0 l’issue de la s\u00e9ance. \u00ab Le film retrace fid\u00e8lement les p\u00e9rip\u00e9ties du fameux match face aux Allemands et les moments forts que nous avons v\u00e9cus en compagnie d’autres stars comme Lakhdar Belloumi et Salah Assad \u00bb, a-t-il d\u00e9clar\u00e9. 43 ans apr\u00e8s, le souvenir reste intact \u2014 le geste, la lucidit\u00e9, la ferveur d’une \u00e9quipe qui avait tout donn\u00e9 sans \u00eatre r\u00e9compens\u00e9e par la suite de la comp\u00e9tition.<\/p>\n\n\n\n

Belloumi, Ballon d’or africain en 1981 et auteur du but de la victoire contre l’Allemagne, a abord\u00e9 la projection sous un angle diff\u00e9rent, celui de la transmission. \u00ab Cette projection repr\u00e9sente un hommage m\u00e9rit\u00e9 \u00e0 la g\u00e9n\u00e9ration de 1982, qui a relev\u00e9 le d\u00e9fi face aux grandes nations du football mondial \u00bb, a-t-il dit, avant d’ajouter que \u00ab la documentation de ces moments au cin\u00e9ma contribue \u00e0 transmettre aux jeunes g\u00e9n\u00e9rations la volont\u00e9, l’amour du pays et la soif de victoires \u00bb. Ce que le film fait, finalement, c’est transformer un match de football en r\u00e9cit fondateur \u2014 le genre d’histoire qu’on raconte aux enfants non pas pour qu’ils comprennent le football, mais pour qu’ils comprennent ce que signifie refuser de perdre d’avance.<\/p>\n\n\n\n

Le r\u00e9alisateur Yahia Mouhazem a lui \u00e9voqu\u00e9 la dimension m\u00e9morielle du projet. \u00c0 travers ce documentaire, dit-il, est \u00ab document\u00e9 un pan de la m\u00e9moire sportive dans un cadre cin\u00e9matographique alliant documentation historique et esth\u00e9tique visuelle \u00bb. Le choix du festival d’Annaba pour une telle projection n’est pas fortuit : plac\u00e9 sous le slogan \u00ab Le cin\u00e9ma rend hommage au sport \u00bb, l’\u00e9v\u00e9nement assume cette ann\u00e9e une vocation particuli\u00e8re, celle de faire dialoguer deux formes d’expression populaire \u2014 le film et le stade \u2014 autour d’une m\u00eame id\u00e9e de l’identit\u00e9 collective.<\/p>\n\n\n\n

Exposition consacr\u00e9e aux cin\u00e9mas alg\u00e9rien et \u00e9gyptien<\/strong><\/p>\n\n\n\n

La soir\u00e9e ne se r\u00e9sumait cependant pas \u00e0 Gij\u00f3n 1982<\/em>. En marge des projections, le festival a inaugur\u00e9 le m\u00eame soir une exposition consacr\u00e9e aux cin\u00e9mas alg\u00e9rien et \u00e9gyptien, install\u00e9e dans le hall de la gare ferroviaire d’Annaba, b\u00e2timent class\u00e9 monument national. Le lieu a \u00e9t\u00e9 choisi d\u00e9lib\u00e9r\u00e9ment. Le commissaire du festival, Mohamed Allal, a expliqu\u00e9 que l’organisation de cette exposition dans cet espace \u00ab vise \u00e0 rapprocher le 7e art du public et \u00e0 placer le cin\u00e9ma au c\u0153ur des espaces publics dynamiques \u00bb. Il a ajout\u00e9 qu’elle \u00ab c\u00e9l\u00e8bre la solidit\u00e9 des liens artistiques entre les cin\u00e9mas alg\u00e9rien et \u00e9gyptien \u00bb et \u00ab t\u00e9moigne de l’engagement du commissariat \u00e0 valoriser le patrimoine cin\u00e9matographique en tant que partie int\u00e9grante de l’identit\u00e9 culturelle m\u00e9diterran\u00e9enne \u00bb. La directrice de la culture et des arts de la wilaya d’Annaba, Saliha Berkouk, pr\u00e9sente \u00e0 l’inauguration aux c\u00f4t\u00e9s de l’ambassadeur d’\u00c9gypte en Alg\u00e9rie, Abdelatif El-La\u00efh, a insist\u00e9 sur la charge symbolique du lieu d’accueil. Tenir une telle exposition dans l’enceinte de la gare, a-t-elle soulign\u00e9, \u00ab rev\u00eat une signification particuli\u00e8re, d\u00e8s lors que ce lieu embl\u00e9matique est un espace historique profond\u00e9ment li\u00e9 \u00e0 la m\u00e9moire \u00bb. Elle a \u00e9galement relev\u00e9 que la manifestation proc\u00e8de de \u00ab l’ambition du festival de raviver la m\u00e9moire cin\u00e9matographique commune entre l’Alg\u00e9rie et l’\u00c9gypte \u00bb. L’exposition elle-m\u00eame m\u00eale affiches de films, mat\u00e9riel technique ancien et moderne, et archives documentaires apport\u00e9es par l’association Lumi\u00e8res d’Alger. Elle restera ouverte au public jusqu’au 30 avril, date de cl\u00f4ture du festival.<\/p>\n\n\n\n

Ce 6e Festival du film m\u00e9diterran\u00e9en d’Annaba, qui court jusqu’\u00e0 cette date, comprend par ailleurs des hommages \u00e0 des figures du cin\u00e9ma alg\u00e9rien et m\u00e9diterran\u00e9en, ainsi que des s\u00e9minaires et ateliers destin\u00e9s aux professionnels et aux jeunes du secteur.<\/p>\n\n\n\n

Mohand Seghir<\/p>\n","protected":false},"excerpt":{"rendered":"

Ils \u00e9taient l\u00e0, samedi soir, au th\u00e9\u00e2tre r\u00e9gional Azzedine-Medjoubi d’Annaba. 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