{"id":90287,"date":"2026-06-28T20:53:33","date_gmt":"2026-06-28T19:53:33","guid":{"rendered":"https:\/\/lasentinelle.dz\/?p=90287"},"modified":"2026-06-28T20:53:36","modified_gmt":"2026-06-28T19:53:36","slug":"theatre-national-algerien-cloture-du-cycle-djanazet-ayyoub","status":"publish","type":"post","link":"https:\/\/lasentinelle.dz\/index.php\/2026\/06\/28\/theatre-national-algerien-cloture-du-cycle-djanazet-ayyoub\/","title":{"rendered":"Th\u00e9\u00e2tre national alg\u00e9rien\u00a0: Cl\u00f4ture du cycle \u00ab\u00a0Djanazet Ayyoub\u00a0\u00bb"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Le Th\u00e9\u00e2tre National Alg\u00e9rien Mahieddine Bachtarzi a achev\u00e9 samedi soir les repr\u00e9sentations de <em>Djanazet Ayyoub<\/em> (\u00ab Les Fun\u00e9railles d&rsquo;Ayoub \u00bb), trois soir\u00e9es cons\u00e9cutives qui ont r\u00e9uni \u00e0 Alger le public du quatri\u00e8me art autour d&rsquo;une cr\u00e9ation dont la trajectoire, depuis sa cr\u00e9ation en fin d&rsquo;ann\u00e9e derni\u00e8re, n&rsquo;a cess\u00e9 de se confirmer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La pi\u00e8ce avait d\u00e9croch\u00e9 le Grand Prix de la 18e \u00e9dition du Festival national du th\u00e9\u00e2tre professionnel, le jury lui ayant d\u00e9cern\u00e9 le prix du meilleur spectacle int\u00e9gral. Une distinction m\u00e9rit\u00e9e pour une \u0153uvre produite par le Th\u00e9\u00e2tre National, \u00e9crite et mise en sc\u00e8ne par Ahmed Rezzak, qui propose des fun\u00e9railles collectives o\u00f9 l&rsquo;on enterre les valeurs, la morale, l&rsquo;innocence et la beaut\u00e9, dans un registre de com\u00e9die noire convoquant le silence, les ombres, l&rsquo;attente et l&rsquo;amertume dans des significations charg\u00e9es de contemplation et d&rsquo;amertume. La sc\u00e9nographie est sign\u00e9e Lilia Chaouchei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sur le fond, la pi\u00e8ce exploite la trag\u00e9die humaine pour \u00e9laborer un discours dramatique oscillant entre drame noir et ironie voil\u00e9e, posant la question des relations humaines au sein d&rsquo;une soci\u00e9t\u00e9 alourdie par ses contradictions. Le texte repose sur l&rsquo;absence et la pr\u00e9sence simultan\u00e9es du h\u00e9ros, Ayyoub, absent physiquement, et qui demeure la force motrice de chaque \u00e9v\u00e9nement et de chaque tension dramatique. Ce qui devrait \u00eatre un moment de deuil et de solidarit\u00e9 se retourne en espace o\u00f9 les tensions et les conflits refoul\u00e9s entre personnages affleurent, o\u00f9 le d\u00e9bat, le silence et l&rsquo;accusation prennent le pas sur l&#8217;empathie, et les prises de position autour de la vie et du destin d&rsquo;Ayyoub font basculer le rite de l&rsquo;adieu en miroir des fragilit\u00e9s et des contradictions des relations humaines.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La critique n&rsquo;a pas manqu\u00e9 de relever les ambitions de la forme. La vision sc\u00e9nique, esth\u00e9tiquement ambitieuse, s&rsquo;appuie sur l&rsquo;image th\u00e9\u00e2trale, la sc\u00e9nographie et la musique pour construire un univers symbolique dense, cherchant \u00e0 approcher une th\u00e9matique humaine et existentielle li\u00e9e \u00e0 la douleur, \u00e0 la patience et \u00e0 la d\u00e9sint\u00e9gration des liens familiaux. Certains observateurs ont toutefois not\u00e9 que la puissance de la structure visuelle n&rsquo;a pas toujours trouv\u00e9 un contrepoint dramaturgique \u00e0 sa hauteur.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le public a longuement applaudi les com\u00e9diens \u00e0 l&rsquo;issue des repr\u00e9sentations. La pi\u00e8ce, qui avait figur\u00e9 au programme des nuits ramadanesques du Bachtarzi en f\u00e9vrier et mars, poursuit ainsi une carri\u00e8re sc\u00e9nique qui lui a valu une audience bien au-del\u00e0 du seul cercle des habitu\u00e9s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mohand Seghir<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Th\u00e9\u00e2tre National Alg\u00e9rien Mahieddine Bachtarzi a achev\u00e9 samedi soir les repr\u00e9sentations de Djanazet Ayyoub (\u00ab Les Fun\u00e9railles d&rsquo;Ayoub \u00bb),<\/p>\n","protected":false},"author":6,"featured_media":90288,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[36],"tags":[],"class_list":["post-90287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"aioseo_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - 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