{"id":92068,"date":"2026-07-25T20:24:11","date_gmt":"2026-07-25T19:24:11","guid":{"rendered":"https:\/\/lasentinelle.dz\/?p=92068"},"modified":"2026-07-25T20:24:13","modified_gmt":"2026-07-25T19:24:13","slug":"lamine-merbah-artisan-dune-identite-cinematographique-nationale-sest-eteint","status":"publish","type":"post","link":"https:\/\/lasentinelle.dz\/index.php\/2026\/07\/25\/lamine-merbah-artisan-dune-identite-cinematographique-nationale-sest-eteint\/","title":{"rendered":"Lamine Merbah, artisan d’une identit\u00e9 cin\u00e9matographique nationale, s’est \u00e9teint"},"content":{"rendered":"\n

Le cin\u00e9ma alg\u00e9rien en deuil<\/strong><\/p>\n\n\n\n

Le r\u00e9alisateur et producteur Mohamed-Lamine Merbah, figure majeure du septi\u00e8me art alg\u00e9rien plus connu sous le nom de Lamine Merbah, est d\u00e9c\u00e9d\u00e9 vendredi \u00e0 Alger \u00e0 l’\u00e2ge de 80 ans, des suites d’une longue maladie, plongeant le monde de la culture dans le deuil.<\/p>\n\n\n\n

N\u00e9 le 28 juillet 1946 \u00e0 Tighennif, dans la wilaya de Mascara, le d\u00e9funt avait effectu\u00e9 ses \u00e9tudes primaires \u00e0 Ksar Chellala, dans la wilaya de Tiaret, avant de poursuivre son cursus secondaire au lyc\u00e9e Bencheneb de M\u00e9d\u00e9a. C’est en 1964 qu’il int\u00e8gre l’Institut national du cin\u00e9ma, o\u00f9 il se forme jusqu’en 1967, compl\u00e9tant son parcours par un stage \u00e0 la t\u00e9l\u00e9vision polonaise en 1968 puis par une licence en sociologie obtenue en 1973 \u00e0 l’universit\u00e9 d’Alger. Il \u00e9tait aussi le fils de Moulay Merbah, figure du mouvement national. D\u00e8s le d\u00e9but des ann\u00e9es 1970, Lamine Merbah m\u00e8ne de front une double carri\u00e8re, travaillant pour la maison d’\u00e9dition SNED tout en r\u00e9alisant pour la Radiodiffusion t\u00e9l\u00e9vision alg\u00e9rienne. Sa filmographie, particuli\u00e8rement dense, s’ouvre avec des t\u00e9l\u00e9films comme \u00ab\u00a0El Mountassir\u00a0\u00bb en 1969 et \u00ab\u00a0Yad\u00e8s\u00a0\u00bb en 1970, avant de s’orienter vers des \u0153uvres marqu\u00e9es par l’histoire et la m\u00e9moire nationale. On lui doit notamment \u00ab\u00a0Les Spoliateurs\u00a0\u00bb (1972), consacr\u00e9 \u00e0 la question paysanne, et \u00ab\u00a0Les D\u00e9racin\u00e9s\u00a0\u00bb (1976), long m\u00e9trage historique port\u00e9 au grand \u00e9cran. Il encha\u00eene les productions pour la t\u00e9l\u00e9vision durant les d\u00e9cennies suivantes, entre drames sociaux et \u0153uvres \u00e0 port\u00e9e r\u00e9volutionnaire, parmi lesquels \u00ab\u00a0Chaabia\u00a0\u00bb (1974), \u00ab\u00a0Radhia\u00a0\u00bb (1992) ou encore \u00ab\u00a0El Irth\u00a0\u00bb (H\u00e9ritage, 1994).<\/p>\n\n\n\n

En 1988, il est nomm\u00e9 directeur g\u00e9n\u00e9ral de l’Entreprise nationale de production audiovisuelle, poste qu’il occupe jusqu’en 1995, ann\u00e9e o\u00f9 la maladie le contraint \u00e0 s’\u00e9loigner de la sc\u00e8ne pendant plusieurs ann\u00e9es. Il fait son retour derri\u00e8re la cam\u00e9ra en 2002 avec le feuilleton \u00ab\u00a0Le Miroir bris\u00e9\u00a0\u00bb, puis fonde en 2003 sa propre structure de production, Amine Intaj, \u00e0 travers laquelle il signera de nombreux feuilletons, films et documentaires, dont \u00ab\u00a0Notre vieille maison\u00a0\u00bb en 2008. Son \u0153uvre documentaire, tourn\u00e9e notamment vers le continent africain et le patrimoine spirituel national, compte \u00e9galement des titres comme \u00ab\u00a0L’Afrique, des t\u00e9n\u00e8bres \u00e0 la lumi\u00e8re\u00a0\u00bb (2009) et \u00ab\u00a0L’Imam Es-Sanoussi de Tlemcen\u00a0\u00bb (2011).<\/p>\n\n\n\n

Dans un communiqu\u00e9 publi\u00e9 sur sa page Facebook, le minist\u00e8re de la Culture et des Arts a fait part de la tristesse de la ministre Malika Bendouda \u00e0 l’annonce de cette disparition, saluant la m\u00e9moire d’un homme dont la carri\u00e8re exceptionnelle aura contribu\u00e9 \u00e0 b\u00e2tir \u00ab une v\u00e9ritable identit\u00e9 cin\u00e9matographique alg\u00e9rienne \u00bb. L’institution a soulign\u00e9 que le paysage audiovisuel national perd avec lui une figure qui, durant des d\u00e9cennies, aura enrichi le cin\u00e9ma alg\u00e9rien tout en donnant \u00e0 voir et \u00e0 comprendre l’identit\u00e9 du pays.<\/p>\n\n\n\n

Au-del\u00e0 des chiffres d’une filmographie qui s’\u00e9tend sur pr\u00e8s d’un demi-si\u00e8cle, c’est le portrait d’un cin\u00e9aste-t\u00e9moin qui se dessine, celui d’un homme de la g\u00e9n\u00e9ration des b\u00e2tisseurs, form\u00e9 au lendemain de l’ind\u00e9pendance, qui aura consacr\u00e9 son travail \u00e0 la mise en images de la m\u00e9moire collective, de la r\u00e9volution aux mutations de la soci\u00e9t\u00e9 alg\u00e9rienne. Ses \u0153uvres pour le petit comme pour le grand \u00e9cran ont accompagn\u00e9 plusieurs g\u00e9n\u00e9rations de spectateurs, et nombre de professionnels de l’audiovisuel national reconnaissent en lui l’un des pionniers ayant contribu\u00e9 \u00e0 structurer le cin\u00e9ma et la t\u00e9l\u00e9vision alg\u00e9riens dans les premi\u00e8res d\u00e9cennies de leur existence.<\/p>\n\n\n\n

La ministre de la Culture et des Arts a pr\u00e9sent\u00e9 ses condol\u00e9ances les plus sinc\u00e8res \u00e0 la famille du d\u00e9funt ainsi qu’\u00e0 l’ensemble de la communaut\u00e9 artistique et cin\u00e9matographique, formulant le v\u0153u que le disparu repose dans la mis\u00e9ricorde divine. Avec la disparition de Lamine Merbah, c’est une page importante de l’histoire du cin\u00e9ma alg\u00e9rien qui se tourne. Il laisse derri\u00e8re lui une \u0153uvre abondante, plusieurs fois salu\u00e9e pour sa contribution \u00e0 la construction d’un regard national sur l’\u00e9cran, et qui continuera d’inspirer les g\u00e9n\u00e9rations de cin\u00e9astes \u00e0 venir.<\/p>\n\n\n\n

Mohand Seghir<\/p>\n","protected":false},"excerpt":{"rendered":"

Le cin\u00e9ma alg\u00e9rien en deuil Le r\u00e9alisateur et producteur Mohamed-Lamine Merbah, figure majeure du septi\u00e8me art alg\u00e9rien plus connu sous<\/p>\n","protected":false},"author":6,"featured_media":92069,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_bluesky_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[36],"tags":[],"class_list":["post-92068","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"aioseo_notices":[],"yoast_head":"\nLamine Merbah, artisan d’une identit\u00e9 cin\u00e9matographique nationale, s’est \u00e9teint - 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